Shorty has been
living at Covenant Woods for two weeks. There is something familiar about his
thick, tousled white hair and horn-rimmed glasses, which led me to ask: “Has
anyone ever told you, you look like Spencer Tracey?”
His face answered with a look that said,
“I’m going to throttle the next person who tells me that.” Fortunately, in true
Spencer Tracey fashion, he decided that discretion was the better part of valor
and said, “But I don’t believe them.”
Shorty, who uses a walker, said he was stiff
all over. He had spent the day at his house with a friend and a real estate
agent.
“I got rid of everything. The house is
completely empty,” he said. “There was nothing to sit on. I had to stand up for
a couple hours. Now I’m stiff as a board”
Being nosey, we asked how much he was asking
for the house.
“Not as much as it’s worth,” he said. “But I
want to get it sold. I’m in the croaking place now, and I want to be rid of all
that stuff. I’m here, and I’m waiting to croak.”
Shorty may be clearing the decks, but he
doesn’t act like a man who plans to go down with his ship any time soon.
Brenda was our server at dinner, and she
wasn’t her usual self. Her usual self is smiling and darn near excessively
attentive. She was neither tonight. Eventually, Corrine asked her if something
was bothering her.
“I’ve been having a bad day,” she said.
“Everybody at my house is sick, and there is a bunch of demanding people in my
section.”
Brenda’s real job is at Publix. She’s a sub
at Covenant Woods. Corrine said she likes Brenda much more than she likes
Kevin, our regular server. Kevin does have an attitude at times. Of course,
Kevin’s attitude might be the result of facing the “demanding people” everyday
instead of just once or twice a week.
Saturday afternoon, I got started on The
River of Doubt: Theodore Roosevelt’s Darkest Journey by Candice Millard. It
wasn’t long before I found some nits to pick. The first sentence of the first
chapter reads: “The line outside Madison Square Garden started to form at 5:30
p.m., just as an orange autumn sun was setting in New York City on Halloween
Eve, 1912.”
“Now wait just one minute there, missy,”
thought I, “even in Ashtabula, several hundred miles to the west, the ‘orange
autumn sun’ is all but gone by 5:30 in the waning days of October.” Indulging
my suddenly curious mind, I went to the U.S. Naval Observatory website via
Google, and learned the sun had set over New York at 4:55 that afternoon.
Then I wondered about “Halloween Eve.”
Halloween is a contraction of All Hallows’ Eve, so October 30 would be All
Hallows’ Eve Eve. And with that, I decided it was time to get out of the
apartment. In the hallway, I stopped to talk to Al, who was on his way to
his mailbox. A few minutes later, Louise, who was on her way back with her mail,
joined us.
“What are you doing?” she asked Al.
“I’m going to see if I got any mail.”
“After that?”
“Well, I’m going to go back upstairs,” Al
said. “Then I’ll go out on the porch and smoke me a cigar. Then I’ll have a
glass of wine, and then I’ll get my pipe and have toke.”
“After that?” Louise asked.
“Oh, I’ll probably eat some chocolate.”
“That’s when you call me,” Louise said. “I
don’t care about the rest of that stuff, but I do love chocolate.”
Now that I have a recorder, Al has been
reluctant to talk while it’s on. But, ever since I gave him the newspaper
article about the Battle of Song Be, he has been writing to and talking with
several men who served with him in Viet Nam. The other night, he was trying to
draw a map of the area around the compound at Song Be based on a letter he’d
received from one of the men who was there.
“This stuff is driving me crazy,” Al said.
“And, god damn it, Tom, it’s all your fault. You’re the one who got all this
started.”
I guess I was. And I believe there are three
or four old men who are delighted that I did.
The piped-in music at Covenant Woods has
undergone a generational shift. Henry Mancini, Glenn Miller, Frank Sinatra,
Dean Martin and Andy Williams have been sent packing. Now the music of the
Beatles and Beach Boys fills the hallways.
Alas, when elevator music is the music of
your youth, it can only mean one thing: You’re old.
No comments:
Post a Comment